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The former speak to her craft, the latter to her gifts as a stylist, and the two combine to turn Day Breaks into a satisfying testament to her ever-evolving musicianship. Flipside [Live at The Newport Jazz Festival/2016] – 15. Carry On [Live at The Flynn Theater, Burlington VT/2016] – 14. Often, these tricks are deliberately sly: she’ll pair her torchy original “And Then There Was You” with a woozy, bluesy cover of Neil Young’s “Don’t Be Denied” that winds up evoking Come Away with Me, then follow that up with the dense, nocturnal rhythms of “Day Breaks.” She threads in versions of Horace Silver’s “Peace” and Duke Ellington’s “African Flower” while inviting saxophonist Wayne Shorter and organist Lonnie Smith in to play — moves that signal that there’s a strong, elastic jazz undercurrent to Day Breaks that means this record breathes more than her debut. Such a sense of quiet adventure gives the record depth, but what gives it resonance are the exquisitely sculpted songs.
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